Jul 29 2008
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Tujunga UFOs in Print
This just re-published by Anomalist Books:
The Tujunga Canyon Contacts by Ann Druffel and the late D. Scott Rogo. As the publisher’s blurb says:
“THE TUJUNGA CANYON CONTACTS tells the true stories of five young women ‘abductees’ who lived in and near Tujunga Canyon, northeast of Los Angeles, and who were all linked by more or less intimate personal relationships. The abductions and related events, which took place over a period of more than two decades, were first investigated by UFO researcher Ann Druffel for five full years, and later by Druffel and parapsychologist D. Scott Rogo together. Many of the abduction details first revealed in the Tujunga Canyon case have been confirmed in the hundreds of cases that followed it.
“First published during the peak of the 20th century’s UFO abduction epidemic, THE TUJUNGA CANYON CONTACTS was only the second book written about so-called ‘alien abductions.’ This edition of the classic work contains the two new chapters prepared for the updated version of the book. During this updating of the story, Druffel first realized that abduction scenarios can be fended off by strongwilled, confident experiencers, since three of the five young women intuitively discovered, and used, various ‘resistance techniques’ to fend off, and eventually end, the harrowing attacks.”
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July 29th, 2008 at 5:06 pm
In his short life it is amazing how many great books D. Scott Rogo wrote.
July 29th, 2008 at 10:14 pm
Well he focused on “psychic music” which is my speciality as well. I was looking at this book I think called “UFO: The Final Answer” last night — focusing on Jenny Randle’s “Oz Effect” as the absence of sound in “light of” a spacetime warp. Essentially the book argued that all these anomalies (alien abduction, BHM, crop circles, etc.) can be attributed to the “ionized plasma vortex” created by a piezoelectric-induced spacetime warp.
Well what’s fascinating about this is that D. Scott Rogo’s research on “psychic music” established that vocal music and nonwestern music were much more prominent in these “Oz Effect” occurrences (he didn’t use that term of course, but instead used N.A.D. from the Hindu tradition).
My own research confirms that indeed it is nonwestern music which causes a natural resonance or transduction of sound into light and then into consciousness which then bends spacetime. There’s new research on the calcite found in both the inner ear and the pineal gland - calcite which creates a piezoelectric nonlinear spacetime anomaly. This “Oz Effect” happens due to a “second-harmonic generator” from the natural overtones of sound into ultrasound, heard within the head during meditation (and from without from piezoelectric stress points in geology or occult technology, etc.)
July 30th, 2008 at 1:25 pm
So Drew, you speak of “Non Western” music but that covers a lot of ground. Which types of music are better for the phenomena you describe? Tibetan? Hindu? Polynesian?
July 31st, 2008 at 10:27 am
By nonwestern music I mean specifically that all cultures use music based on the 1-4-5 harmonic intervals but only in the West where those intervals modified to a logarithmic-scale which goes against the natural overtones and the comma of Pythagoras. You can read my masters thesis (2001) freely online linked at http://nonduality.com/hempel.htm
July 31st, 2008 at 10:40 am
http://www.scienceblog.com/cms/physicists-challenge-notion-of-electric-nerve-impulses-say-sound-more-likely-12738.html